{"id":764,"date":"2021-12-01T15:59:09","date_gmt":"2021-12-01T15:59:09","guid":{"rendered":"https:\/\/pugseal.com\/blog\/?page_id=764"},"modified":"2022-03-10T21:43:14","modified_gmt":"2022-03-10T21:43:14","slug":"lineage-grafica-catesismo","status":"publish","type":"page","link":"https:\/\/pugseal.com\/blog\/lineage-grafica-catesismo\/","title":{"rendered":"Grafica de Catesismo Lineage"},"content":{"rendered":"

[et_pb_section fb_built=”1″ fullwidth=”on” _builder_version=”4.9.11″ _module_preset=”default” width=”100%” module_alignment=”center” locked=”off” global_colors_info=”{}”][et_pb_fullwidth_image src=”https:\/\/pugseal.com\/blog\/wp-content\/uploads\/2021\/12\/Portadas-Lineage-08.jpg” title_text=”Portadas Lineage -08″ _builder_version=”4.9.11″ _module_preset=”default” width=”100%” global_colors_info=”{}”][\/et_pb_fullwidth_image][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.9.11″ _module_preset=”default” background_color=”#999999″ use_background_color_gradient=”on” background_color_gradient_start=”rgba(255,255,255,0.65)” background_color_gradient_end=”#ffffff” background_color_gradient_overlays_image=”on” background_enable_image=”off” custom_padding=”14px||13px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.9.11″ _module_preset=”default” custom_padding=”||7px|||” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.9.11″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.9.11″ _module_preset=”default” text_font=”ABeeZee||||||||” text_font_size=”15px” text_line_height=”1.9em” header_font=”Andada|700|||||||” header_text_align=”center” header_font_size=”41px” header_letter_spacing=”5px” header_line_height=”1.3em” header_2_font=”Actor|700||on|||||” header_2_text_align=”center” header_2_text_color=”#999999″ header_2_font_size=”18px” header_2_letter_spacing=”7px” text_orientation=”center” custom_margin=”||45px|||” header_font_size_tablet=”” header_font_size_phone=”29px” header_font_size_last_edited=”on|phone” header_2_font_size_tablet=”” header_2_font_size_phone=”17px” header_2_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n

<\/strong><\/span><\/h2>\n

CATALOGO DE CASA EDITORIAL DE ARTE CATOLICO<\/strong><\/span><\/h2>\n

JOS\u00c9 VILAMALA – OCTUBRE DE 1942.
<\/strong><\/span><\/span><\/h2>\n

Litograf\u00eda sobre papel 103 x 65 cm.\u00a0<\/span><\/span><\/h2>\n

La ense\u00f1anza gr\u00e1fica del catecismo. \u00c9stas l\u00e1minas se sol\u00edan poner en las paredes de las escuelas, mediante las cuales se ense\u00f1aba el catecismo. Se editaron alrededor de 50 l\u00e1minas litogr\u00e1ficas ilustradas todas por los pintores y dibujantes Joan Llimona o Dionisio Baixeras, seguidores del movimiento modernista.<\/span><\/p>\n

Joan Llimona<\/span><\/strong><\/p>\n

Estudi\u00f3 en la Escuela de la Lonja de Barcelona y adem\u00e1s curs\u00f3 casi toda la carrera de arquitectura. Con su hermano el escultor Josep Llimona, vivi\u00f3 en Italia durante cuatro a\u00f1os. <\/span>Su gran religiosidad se transmiti\u00f3 a su obra; a pesar de ser del modernismo se decant\u00f3 hacia el misticismo, formando un mundo de realismo sentimental. Fue un excelente dibujante.<\/span><\/span><\/p>\n

Se dedic\u00f3 tambi\u00e9n a la pintura mural: su trabajo m\u00e1s importante en este terreno fue la decoraci\u00f3n de la c\u00fapula del camar\u00edn de la Virgen del monasterio de Montserrat, acabado el a\u00f1o 1898. Otros murales son: la c\u00fapula de la iglesia de los Carmelitas en Vich, el crucero de la iglesia de San Felipe Neri de Barcelona en 1902 (donde la fisonom\u00eda de San Felipe Neri corresponde a Antoni Gaud\u00ed) y el camar\u00edn del santuario de Loreto en Br\u00e0fim en el a\u00f1o 1923. Fund\u00f3 con Josep Torras i Bages y con su hermano Josep el Cercle Art\u00edstic de Sant Lluc en 1892.<\/span><\/p>\n

Dionisio Baixeras<\/span><\/strong><\/p>\n

Con quince a\u00f1os ingres\u00f3 en la Escuela de la Lonja de su ciudad natal. Defendi\u00f3 un arte de inspiraci\u00f3n cristiana. Fue uno de los fundadores del C\u00edrculo de Sant Lluc. Su pintura es de tipo historicista, influenciada por la Escuela de Olot. Sus obras se exponen en diversos museos como:<\/span>\u00a0<\/p>\n

    \n
  • Mus\u00e9e d’art et d’industrie de Roubaix, Francia.<\/span><\/li>\n
  • Museo de Bellas Artes de Asturias<\/span><\/li>\n
  • Retrato de un botero en la Barceloneta, (1890), Biblioteca Museo V\u00edctor Balaguer<\/span><\/li>\n
  • \u00abBoatmen of Barcelona\u00bb, (1886), The Metropolitan Museum of Art, Nueva York<\/span><\/li>\n<\/ul>\n

    <\/span><\/p>\n

    \n

    \n

    CATHOLIC ART PUBLISHING HOUSE CATALOG<\/h2>\n

    JOS\u00c9 VILAMALA – OCTOBER, 1942.<\/h2>\n

    Lithograph on paper 103 x 65 cm.<\/h2>\n

    \n

    The visual instruction of the catechism. These plates used to be placed on the walls of schools to teach the catechism. About 50 lithographic plates were published, all illustrated by the painters and draftsmen Joan Llimona or Dionisio Baixeras, followers of the modernist movement.<\/p>\n

    Joan Llimona<\/strong><\/p>\n

    He studied at the Escuela de la Lonja in Barcelona, in addition to almost completing a degree in architecture. He lived in Italy for four years with his brother, the sculptor Josep Llimona. He conveyed his deep religiosity through his work; in spite of being a modernist he leaned towards mysticism, creating a world of sentimental realism. He was an excellent draftsman.<\/p>\n

    He also painted murals: his most important work in this field was the decoration of the dome in the chapel of the Virgin at the Montserrat monastery, finished in 1898. Other murals include: the dome of the Carmelite Church in Vich, the transept of the Church of Saint Philip Neri in Barcelona in 1902 (where he borrowed Saint Philip Neri\u2019s appearance from Antoni Gaud\u00ed) and the chapel of the Sanctuary of Loreto in Br\u00e0fim in 1923. Along with Josep Torras i Bages and his brother Josep, he founded the Cercle Art\u00edstic de Sant Lluc in 1892.<\/p>\n

    Dionisio Baixeras<\/strong><\/p>\n

    At fifteen years old, he entered the Escuela de la Lonja in the city of his birth. He championed art inspired by Christianity. He was one of the founders of the Cercle Art\u00edstic de Sant Lluc. His paintings are of the historicist type, influenced by the Olot school. His works are exhibited in various museums such as:<\/p>\n

    \n

      \n
    • The Museum of Art and Industry in Roubaix, Francia<\/li>\n
    • The Museum of Fine Arts in Asturias<\/li>\n
    • Retrato de un botero en la Barceloneta<\/i> (1890), the V\u00edctor Balaguer Library Museum<\/li>\n
    • Boatmen of Barcelona<\/i> (1886), The Metropolitan Museum of Art in New York<\/li>\n<\/ul>\n

      <\/span><\/p>\n

      <\/span><\/p>\n

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      CATALOGO DE CASA EDITORIAL DE ARTE CATOLICO JOS\u00c9 VILAMALA – OCTUBRE DE 1942. Litograf\u00eda sobre papel 103 x 65 cm.\u00a0 La ense\u00f1anza gr\u00e1fica del catecismo. \u00c9stas l\u00e1minas se sol\u00edan poner en las paredes de las escuelas, mediante las cuales se ense\u00f1aba el catecismo. Se editaron alrededor de 50 l\u00e1minas litogr\u00e1ficas ilustradas todas por los pintores […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-764","page","type-page","status-publish","hentry"],"yoast_head":"\nGrafica de Catesismo Lineage - Pug Seal Blog<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/pugseal.com\/blog\/lineage-grafica-catesismo\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Grafica de Catesismo Lineage - Pug Seal Blog\" \/>\n<meta property=\"og:description\" content=\"CATALOGO DE CASA EDITORIAL DE ARTE CATOLICO JOS\u00c9 VILAMALA - OCTUBRE DE 1942. 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